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That means that in super 16, the image sensor area used is smaller than micro four thirds. Because the sensor is so high resolution, this isn’t much of a big deal, outside of needing to consider it for lens selection. For example, a 3x crop to a 50mm makes it an effective 150mm. There is no shortage of shoot assists with the URSA Mini Pro 12K. More than just the assists you need, you can route them to the monitor, EVF or out the SDI, be it the one in the rear or front of the camera.
Announcing The New Blackmagic URSA Cine 12K LF - ProVideo Coalition
Announcing The New Blackmagic URSA Cine 12K LF.
Posted: Fri, 12 Apr 2024 07:00:00 GMT [source]
Connect to Mobile Data, High Speed Wifi or Ethernet!
Austrian based agency and production company, Freystil, created the latest Austrian Kia car commercial with the Blackmagic URSA Mini Pro 12K. Founder and CEO, Michael Frey talks about why he has founded his company on the URSA Mini Pro 12K and BMPCC 6K cameras. Actual storage rates are entirely dependent on image subject matter. Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control. Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. USB-C ports for recording to disks or focus and zoom demands.
Power
I, for example, use Capture One which I don’t believe is currently capable of processing Blackmagic RAW still frames. This isn’t really a camera for low light, and with its solid metal body and lack of decent AF, it’s certainly not for run-and-gun documentary filmmakers. The sensor is CMOS but not using the typically Bayer formation which is biased towards green and requires that the colours have to be carefully combined for natural colour. Blackmagic’s new 12K sensor has equal sampling of red, green and blue for more balanced, film-like colours. To get the look right, Blackmagic is involved in the three technical stages of capturing video.
SDI Video Standards
It makes its own sensors with its own technology; the camera records in the company’s own Blackmagic Raw format and this is processed and edited and graded in Blackmagic’s Da Vinci Resolve software. Large LED tally light with customizable perspex camera numbers. Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus. Rack mount up to 2 Blackmagic Studio Fiber Converters side by side with this lightweight kit that’s perfect for road cases or equipment racks. Turn URSA Broadcast into the ultimate run and gun ENG camera!
Live from NAB 2024: Blackmagic's CEO on the URSA Cine 12K & Future of AI
Add a shotgun microphone to the URSA Broadcast camera for professional audio. Rugged, open ended top handle designed to make it easy to pick up the camera and run. Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.
Digital Cinema Camera
Blackmagic Design launches URSA Cine 12K camera at NAB - AV Magazine
Blackmagic Design launches URSA Cine 12K camera at NAB.
Posted: Mon, 15 Apr 2024 07:00:00 GMT [source]
So, were you to use the camera for an extended interview or a circumstance where it needs to run all day, this would be a potential option as well. In addition to the time savings, this could potentially be huge cost savings. I have a Canon R5, for example, which shoots beautiful 8K video.
DaVinci Resolve 19
However, either camera with the right third party accessories will work. The C200 is easy to shoot handheld without a shoulder rig, and because it’s lighter, it’s easier to keep up over time. The URSA Mini Pro 4.6K and the C200 both have a Super 35 image sensor, shoot on to both SD and CFast 2.0 cards and offer a type of RAW shooting along with another codec. But wait, there’s more — they also both offer ND filters, and they both have external controls for on-the-go shooting. Lastly, when the URSA Viewfinder is included, they both cost the same price.
Blackmagic URSA Mini Pro 4.6K G2
The convenience of having access to all my settings without going into the menu far outweighed the odds that I would accidentally flip a switch. I work with a number of different camera systems in a number of different resolutions and codecs. Not meaning to pick on my R5, it’s not even a cinema camera after all, but since I just mentioned it in the previous section and it's top of my mind, I’ll use it as an example.
High Resolution Viewfinder for Accurate Focus
The RGBW sensor features large photo-sites, which is what helps the camera achieve an impressive 16 stops of dynamic range. The sensor is designed with equal amounts of red, green and blue pixels, which promises to result in rich colors at every resolution. Speaking of resolutions, the URSA Cine 12K shoots video in resolutions from 4K up to 12K, with open gate shooting available in 4K, 8K and 12K.
Then the 12K camera gives not only incredible resolution but a dynamic range of 14 stops, with colours that are very filmic once the Raw files are processed. The 12-bit Raw files mean you can change ISO, white balance, sharpening and colours as much as you like to colour correct and grade properly. Some highlight recovery is needed, as it is definitely best to over expose and recover detail rather than under-expose which reveals shadow noise. Going up from ISO 800 reveals some noise which can be reduced in post production.
I think, in practical terms, the best usage for 12K is for projects requiring extensive visual effects work where detail and the ability to resize assets are critical. At this point, I don’t know that most people are going to turn to 12K to shoot an extended talking heads dialogue scene. But let’s say you were doing a detailed shot of a beer bottle or something else tangible and you really wanted to show off every feature of the product. This is where the added resolution might be a good option for you. Now while I will briefly touch on some of the jaw-dropping technical specs of the camera, this is not going to be an overly tech-laden review.
Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G! You can also connect via high speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post production to monitor shoots from anywhere in the world! That's a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.
The image is stunning and its media offerings are plentiful. However, if high-resolution video is what you need, then it’s your only option — but it’s a good one at that. The camera should be considered a specialty cinema camera, but Blackmagic didn’t disappoint.
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